Inspired by Art Deco
Art Deco first emerged in the 1920s and 30s as one of the world’s first truly modern design movements. Built around symmetry, geometry, and bold structure, it shaped everything from architecture and interiors to typography and fashion.
Geometry Meets Mid-Century
Unlike more decorative styles that came before it, Art Deco stripped things back with purpose - every line, shape, and detail designed to feel intentional.
It was influenced by industrialisation and early modernist thinking, but still carried a sense of luxury through material contrast and precise detailing. That balance between industry and elegance is what makes it enduring, because it functions less as a style trend and more as a design framework.
In the Walter Bowling Shirt, Art Deco is referenced through construction and layout. The light blue and ecru paneling reflects the Deco focus on segmentation and visual rhythm, where the garment is built as a composition rather than a single surface. Instead of relying on a central graphic, the structure itself creates balance and direction.
The gold diamond detailing acts as a controlled focal point, inspired by the way Art Deco uses geometric motifs sparingly but deliberately to guide the eye. Even the appliqué and chainstitch embroidery follow this same principle, adding depth without disrupting the overall clarity of the design. The result feels structured and considered, where decoration is secondary to form.
Interestingly, the Walter Shirt actually began somewhere else entirely. Early concepts and sketches for the diamond panel layout and geometric detailing first appeared in a graphic we developed for an upcoming tee inspired by the cocktail bars of the 1930s. While we’re keeping that one under wraps for now, the influence of that world naturally carried over into the Walter Shirt and helped shape the direction of the piece. For us at P&Co, that approach feels important.
Blending Deco symmetry with the effortless shape of classic American bowling shirts.
For P&Co, Art Deco is important because it aligns with how we’re evolving as a brand. Our bowing shirts from previous years were more directly rooted in moto culture, where graphics, typography, and distressed finishes carried most of the identity.
That language is immediate and expressive, built around subculture and attitude, and is still core to us as a brand. Taking some inspiration from Art Deco design offers a bit of a different approach. It allows us to keep visual strength, but shift the focus towards construction, balance, and design systems rather than surface-level graphics. It gives us a way to build identity through silhouette, paneling, and proportion, which creates a more lasting and versatile product language.
This is part of a broader progression in how we design at P&Co. We’re increasingly interested in how historical design principles can be reinterpreted into modern silhouettes. Art Deco fits into that shift because it is already a complete visual system, not just an aesthetic.
It encourages us to think about how a piece is structured rather than just how it looks, and that aligns with where we want to take the brand. The Walter Shirt is an example of that thinking in practice, where the influence is embedded in the construction rather than applied on top of it.