OUT WEST STUDIO
Some things don’t start with a strategy, they start because you’re a long way from home and need something to hold onto.
Out West Studio began in 2022, in Raglan, New Zealand. At the time Louis Domville-Musters (the brain behind Out West Studio) had moved there from the UK and found himself living on the other side of the world, working in an architecture practice by day and surfing whenever the swell allowed. Pottery slotted into the week without expectation, after seeing a beginners class pinned to a noticeboard at the local arts centre but, no more than six weeks later, he was hooked on it.
The architectural thinking is still there. Sketchbooks filled with rough forms and proportions worked out in pencil before they ever meet the wheel. He sketches constantly, not because the drawings are perfect, but because they help him test an idea before committing it to clay. Every detail to him matters - form, balance, how it feels in his hands. He’s drawn to functional ceramics for that reason: objects that are made to be used. Cups and mugs that earn their keep. Pieces that live on kitchen tables, not on plinths.
Before clay, there’d been architecture, design, photography, filmmaking; a restless run of creative disciplines. A self-described jack of all trades.
out west studio
When he moved back to Devon, he took over his mum’s shed and promised to fix it up in return. It became a workshop in the truest sense - long hours, trial and error, learning the hard way.
Now based in Falmouth, Out West Studio sits on the old High Street among a row of independents, the kind of street that still feels like it belongs to the people who build things with their hands. The studio is open and visible, shelves stacked with experiments, seconds, finished pieces. It’s exposing in a way that feels deliberate and you can really see the graft behind the pieces he makes and displays there.
When we asked him to get some shots of himself in his space, he was pictured busy working at the wheel in our Founders Artist Smock in Washed Black; clay worked into the fabric, sleeves rolled, doing exactly what it was built for. It felt at home there, not styled, not precious - just worn in and put to work, exactly how we had envisioned and imagined this piece would be worn.
Right now, he’s building towards a spring collection, introducing new forms like a stem vase and a fluted cup. Alongside it, a short film shot on 16mm in collaboration with Collected Film. Another thread from a previous life finding its way back in. Film and clay sitting side by side.
Out West Studio has really become more than just a ceramics practice, it’s an outlet for all the creative threads that have followed him over the years. Architecture’s structure, design’s function, film’s storytelling. All working together rather than competing for space.
And while much of the making happens quietly, the studio itself is anything but closed off. The door’s open, other potters drop by, even students and people who are yet to become potters. Conversations happen between firings. People step in off the street and see the process for what it really is: imperfect, hands-on, alive.
There’s ambition there too. One day, he’d love to build a space entirely his own, a workshop at the back, café or bar out front, somewhere that brings people together around the work. But for now, Out West feels exactly where it needs to be: growing steadily, refining with every firing, rooted in community.
We can’t wait to see how Louis and Outwest Studio’s story unfolds.